Yuri Nikolaevich KHOLOPOV
Articles (separate issues)
(653 items)
For more detailed list of Yuri Kholopov's published and unpublished works see a jubilee-book (Festschrift): MAGISTRO GEORGIO SEPTUAGINTA. To Yuri Kholopov's 70th birth anniversary (ed. by Valeria Tsenova). Moscow: Kompozitor, 2002
1950-60 | 1970 | 1980 | 1990 | 2000 | encyclopaedic

  1. Observations over contemporary harmony. Article, in: Soviet Music. 1961, 11; Muzica (Bucuresti). 1962, 2 (In Romanian language); Probleme de muzica (Bucuresti). 1962, 2 (In Romanian)
  2. On Contemporary Aspects of Prokofiev's Harmony [1958-1960]. Article, in: Features of Style of Prokofiev. Moscow: Soviet Composer, 1962
  3. The Problem of the Fundamental Tone in Theoretical Concept of Paul Hindemith [1958-1960]. Article, in: Music and Modernity. Issue 1. Moscow: Muzika, 1962; Probleme de muzica (Bucuresti). 1963, 6 (In Romanian)
  4. On Theory of Paul Hindemith. Article, in: Soviet Music. 1963, 10, pp. 41-50
  5. To Teach Contemporary Harmony. Article, in: Soviet Music. 1965, 9
  6. Modal and Harmonic System of Messiaen [1961]. Article, in: Soviet Music. 1965, 10
  7. Forming Role of Contemporary Harmony. Article, in: Soviet Music. 1965, 11
  8. Paul Hindemith and His "Ludus Tonalis". Preface to the score, in: Hindemith, P. Ludus tonalis. Moscow: uzika, 1965; Moscow: uzika, 1980 (Rev. Edition)
  9. On Three Western Systems of Harmony. Article, in: Music and Modernity. Issue 4. Moscow: uzika, 1966; Beijing, 1987 (In Chinese language)
  10. Contemporary Music in the Course of Analysis of Musical Works. Article, in: Methodological Notes on Musical Education. Issue 1. Moscow: usika, 1966, pp. 70-102
  11. Diatonic Modes and Tertian Chromatic Systems in Music of Prokofiev. Article, in: From Lully to Present. Moscow: uzika, 1967
  12. Classical Structures in Contemporary Harmony. Article, in: Theoretical Problems of Music of the Twentieth Century. Issue 1. Moscow: uzika, 1967
  13. The Evolution of the Concept of Harmony in the Twentieth Century [1966]. Article, in: Bulgarian Music (Sofia), 1967, 4 (In Bulgarian language); Beitrage zur Musikwissenschaft (Berlin). 1967, H. 3-4 (Extended version, in German language)
  14. Thorough Development of Harmonic Structure of Prokofiev's Works. Article, in: Theoretical Problems of Music of the Twentieth Century Issue 1. Moscow: uzika, 1967
  15. Musikwissentschaftliche Institutionen in der Sowjetunion. Berichte [On Department of Theory and Composition at Moscow Conservatory]. Article, in: Beitrage zur Musikwissenschaft (Berlin). 1968, H. 1/2 (In German). Co-author Th. Muller
  16. Musikwissentschaftliche Institutionen in der Sowjetunion. Berichte [On the Muzika Publisher. Books Division]. Article, in: Beitrage zur Musikwissenschaft (Berlin). 1968, H. 1/2 (In German)
  17. 1970-th

  18. Sowjetische Musikasthetik der Gegenwart [Soviet Literature of the Sixties on Musical Aesthetics]. Bibliography, in: Musik und Bildung (Mainz). 1970, H. 9 (in German)
  19. Principle of Classification of Musical Forms [1967]. Article, in: Theoretical Problems of Musical Forms and Genres. Moscow: uzika, 1971, pp. 65-94
  20. Notion of Modulation in Connection with the Problem of Relationship Between Modulation and Form-Building in Beethoven [1968]. Article, in: Beethoven. Collection of Articles. Book. 1. Moscow: Muzika, 1971
  21. Symmetric Modes in Theoretical Systems of Yavorsky and Messiaen [1965]. Article, in: Music and Modernity. Issue 7. Moscow: uzika, 1971, pp. 247-293; Res facta (Krakow). 1973, 7 (Abridged, in Polish language)
  22. On Evolution of European Tonal System [1965]. Article, in: Problems of Mode. Moscow: uzika, 1972, pp. 35-76
  23. Problem of Logic of Musical Thinking. Theses, in: Precise Methods and Precise Sciences. Rostov University Press, 1972
  24. problemu hudebniho vnimani [To the Problem of Musical Perception]. Article, in: Hudebni rozhledy (Praha). 1972, 12 (In Czech Language)
  25. Expressivety of Tonal Structures in Music of P. I. Tchaikovsky [1965]. Article, in: Problems of Musical Science. Issue 2. Moscow: Soviet Composer, 1973, pp. 89-102
  26. Die Spiegelsymmetrie in Anton Weberns Variationen fur Klavier op. 27 [Mirror Symmetry in Variations op. 27 by Webern]. Article, in: Archiv fur Musikwissenschaft (Wiesbaden). 1973, H. 1 (In German); Musical Horizons (Sofia). 1981, 1-2 (In Bulgarian); Musical Horizons (Sofia) 1985, 19-20 (2-nd edition)
  27. problemu "narodniho" anebo co je ruskeho v ruske hudbe [To the Problem of the National in Music. The Russian in Russian Music]. Article, in: Opus musicum (Brno). 1975, 2 (In Czech)
  28. Symmetrische Leitern in der Russischen Musik [Symmetric Modes in Russian Music]. Article, in: Die Musikforschung (Kassel). 1975, H. 4 (In German)
  29. Metric Structure of the Period and Song Forms [1974]. Article, in: Problems of Musical Rhythm. Moscow: uzika, 1978, pp. 105-163; Musical Horizons (Sofia), 1985, 17-18 (In Bulgarian)
  30. Canon. Genesis and Early Stages of Development [1975]. Article, in: Theoretical Observations Over the Music History. Moscow: uzika, 1978, pp. 127-157
  31. Functional Method of Analysis of Contemporary Harmony [1974]. Article, in: Theoretical Problems of Music of the Twentieth Century. Issue 2. Moscow: uzika, 1978, pp. 169-199; Musical Horizons (Sofia). 1985, 17-18 (In Bulgarian)
  32. Modulation und Formbildung. Zur Analyse des Allegretto scherzando aus der Sinfonie 8 F-dur von Beethoven [Modulation and Form Building. To the Analysis of the Allegretto Scherzando from Beethoven's Eighth symphony in F major]. Article, in: Bericht uber den Internationalen Beethoven-Kongress Berlin - 1977. Leipzig, 1978 (In German)
  33. Musical Aesthetic view of Heinrich Schenker. Article, in: Essays in Aesthetics. Issue 5. Moscow: uzika, 1979, pp. 234-253
  34. Polychordal Aspect of Prokofiev's Harmony [1970]. Article, in: Studia Musicologica. Aesthetica, Theoretica, Historica. Krakow, 1979, s. 85-98 (In Russian)
  35. 1980-th

  36. Music of the Twentieth Century in the University Course of Analysis of Musical Works [1977]. Article, in: Contemporary Music In the Theory Courses. Moscow, 1980
  37. Rusky neoklasicismus: Neoklasicke tendence u Prokofjeva a Sostakovice [Russian Neo-classicism. Neo-classical Tendencies in Prokofiev and Shostakovich]. Article, in: Hudebni veda (Praha). 1980, 4 (In Czech)
  38. The Problem of New Tonality in Russian and Soviet Music Scholarship [1976]. Article, in: Problems of methodology in Soviet Musicology. Moscow Conservatory, 1981, pp. 100-126
  39. Musical Encyclopaedia. In Six Volumes. Vol. 5. Moscow: Soviet Encyclopaedia, 1981. Articles: Perfect system, Soglasie (echos), Sonoristic, Mediaeval modes, Subdominant, Submediant, Subsystem, Thirteenth-chord, Tetrachord, Tinctoris, Tone, Tonality, Harmonic Tonality, Tonic, Triad, Trinote mode, Trichord, Trope, Tjulin, Augmented mode, Diminished mode, Finalis, Phonism, Musical form, Frigian cadence, Lad functions
  40. Changeable and Unchanging in the Evolution of Musical Thinking. Article, in: Problems of Tradition and Innovation and Contemporary Music. Moscow: Soviet Composer, 1982, pp. 52-104; Musical Horizons (Sofia). 1985, 19-20 (In Bulgarian)
  41. Current Tasks. On Musical-Theoretical Education of Composers [1978]. Article, in: Soviet Music. 1982, 2, pp. 72-77
  42. "Odipus Rex" von Igor Strawinsky ["Oedipus Rex" by Igor Stravinsky]. Article, in: Akademie der Kunste der DDR. Arbeitshefte. Sektion Musik. Bd. 35. Berlin, 1982 (In German)
  43. Who Invented the 12-tone Technique? [1980]. Article, in: Problems of History of Austro-German Music. First Third of the Twentieth Century. Moscow, 1983, pp. 34-58
  44. Prinzipien der musikalischen Formbildung bei J. S. Bach. Die Struktur der Bachschen Fuge im Kontext der Enwicklung von Harmonik und Thematismus [On Principles of Musical Form Building in J. S. Bach. The form of Bach's fugue in the Context of Historical Evolution of Harmony and Thematicism]. Article, in: Beitrage zur Musikwissenschaft (Berlin). 1983. H. 2 (In German); Musical Horizons (Sofia), 1986, 5 (In Bulgarian)
  45. How to Sing the New Music of the Twentieth Century. Essay of Demonstration of the Method of Monody. Article, in: (Sofia). 1984, 2 (In Bulgarian); Training the Musical Ear. Moscow: Muzika, 1985, pp. 59-85
  46. Artistic Image and the Parallel Fifth. An Essay of Disconnecting the Theoretical Musicology and Hermeneutic. Article, in: Musical Horizons (Sofia). 1984, 7 (In Bulgarian)
  47. Sowjetische Musikwissenschaft in den sechziger und siebziger Jahren [Soviet Musical Science in the 60s and 70s]. Article, in: Akademie der Kunste der DDR. Arbeitshefte. Sektion Musik. Bd. 37. Berlin, 1984 (In German)
  48. To the Problem of Musical Analysis [1974]. Article, in: Problems of Musical Science. Issue 6. Moscow: Soviet Composer, 1985, pp. 130-151; Musical Horizons (Sofia), 1985, 17-18 (In Bulgarian)
  49. On Harmony of Heinrich Schuetz [1983]. Article, in: Heinrich Schuetz. Moscow: Muzika, 1985, pp. 133-177
  50. Edison Denissovi muusika [Music of Edison Denisov]. Article, in: Teater. Muusika. Kino. Tallinn, 1985, 8 (In Estonian)
  51. Musical Language of Shostakovich in the Context of Musical Currents of the Twentieth Century. Article, in: Kolner Beitrage zur Musikforschung. Bd. 150. Regensburg, 1986 (In German and Russian)
  52. On the Notion of "Symphonicism". Article, in: B. V. Asafiev and Soviet Musical Culture. Moscow: Soviet Composer, 1986, pp. 186-204
  53. Die Harmonik im Frühwerk Strawinskys [On Harmony of Early Music of Stravinsky]. Article, in: Beiträge zur Musikwissenschaft (Berlin). 1986, H. 4 (In German)
  54. La musique d'Edison Denisov [Music of Edison Denisov]. Article, in: Program Notes to the Premier of the opera by Denisov "L'ecume des jours" at Opera-Comique. Paris, 1986, pp. 18-19 (In French)
  55. "Strange flats" in Connection with the Modal Functions in Russian Monody. Article, in: Problems of Deciphering Russian Manuscripts. Leningrad, 1987
  56. In Search of the New Beauty. Work of Edison Denisov. Music and the Ideas. Article, in: Music in the USSR. 1988, January-March, pp. 19-24 (In Russian and English)
  57. Pursuing the Sublime (On Music of Edison Denisov). Article, in: Musical Life. 1988, 12
  58. Theoretical Music Scholarship as a Science Within Humanities. Problems of Analysis of Music. Polemic article one [1977], in: Soviet Music. 1988, 9, pp. 73-79
  59. Theoretical Music Scholarship as a Science Within Humanities. Problems of Analysis of Music. Polemic article two [1978], in: Soviet Music. 1988, 10, pp. 87-93
  60. Hauptrichtungen der sowjetischen musikwissenschaftlichen Forschung in den achtziger Jahren [Main Directions of the music Scholarship in the Soviet Union in the 80s]. Article, in: Beitrage zur Musikwissenschaft (Berlin). 1988, H. 3 (In German)
  61. Articles: Barkauskas, Borodin, Bortnyansky, Glazunov, Denisov, Khachaturian, Eshpai. In: Kammermusik A-G (Konzertbuch). Leipzig, 1988 [A Guide to Chamber Music] (In German)
  62. Music is the Source of Joy. A Letter from Soviet Professor to the Children. In: [Newspaper.] Genmin Jibao. Beijing. 6.10.1989 (In Chinese)
  63. Mussorgsky as a Composer of the Twentieth Century [1986]. Article, in: Mussorgsky and the Twentieth Century. Moscow: Muzika, 1989
  64. Nikolas Roslavets: a Highlight of Russian music. Article, in: Roslavets, N. Works for Piano. Moscow: Muzika, 1989, pp. 5-12
  65. 1990-th

  66. Victor Mikhailovich Belyaev as a Music Scholar. Article, in: Victor M. Belayev. Collection of articles. Moscow: Soviet Composer, 1990
  67. Three Subjects - Three Sciences [1983]. Article in a Discussion, in: Soviet Music. 1990, 2, pp. 85-96
  68. On System of Musical Forms in Tchaikovsky's Symphonies [1986]. Article, in: Soviet Music, 1990, 6, pp. 38-45
  69. The Word and the Meter in the Russian Monody. In: Domestic Culture of the Twentieth Century and Spiritual Music. Rostov-on-the-Don, 1990
  70. Forms of the Classical Types in Music of Shostakovich [1979]. Article, in: Moscow Musicologist. Issue 1. Moscow: Muzika, 1990, pp. 195-212
  71. Der Wert des Webernschen Schaffens [The Value of Weberns's Work]. Article, in: Beitrage zur Musikwissenschaft (Berlin). 1990, 1 (In German)
  72. Das Schaffen Prokofjews [Th Work of Prokofiev]. Article, in: Sergej Prokofjew. 11. April 1891 - 5. Marz 1953. Laaber, 1990 (In German)
  73. Die Klaviersonaten [Piano Sonatas of Prokofiev]. Article, in: Sergej Prokofjew. 11. April 1891 - 5. Marz 1953. Laaber, 1990 (In German)
  74. Die Lieder [Prokofiev's Vocal Works]. Article, in: Sergej Prokofjew. 11. April 1891 - 5. Marz 1953. Laaber, 1990 (In German)
  75. Sowjetische Musik vor der "Perestroika" und "Perestroika" in der sowjetische Musik [Soviet Music Before "Perestroika" and the "Perestroika" in the Soviet Music]. Article, in: Sowjetische Musik im Licht der Perestroika. Laaber, 1990, S. 19-38 (In German); Die Musik der Moderne (Geschichte der Musik, Band 3). Laaber, 2001, S. 333-346
  76. Uber die Kompositionsgrundsatze bei Frederic Chopin: das Ratsel des Finales der Sonate b-moll [On the Principles of Composition of Fr. Chopin: the Mystery of the Finale of B minor Sonata). Article, in: Chopin Studies-3. Warsaw, 1990 (In German)
  77. Zahl als absolutes Zeichen des musikalischen Gegenstandes [Number as the Absolute Sign of Musical Consciousness]. In: Zeichen (Theorie) in der Praxis: Abstracts. Passau, 1990 (In German)
  78. Piano Music of Alexander Mosolov. Preface to the Score, in: Mosolov, A. Selected Works for Piano. Moscow: Muzika, 1991, pp. 3-7
  79. Alexei Losev and Soviet Music Scholarship. In: Alexei F. Losev and the Culture of the Twentieth Century. Losev's Readings. Moscow, 1991
  80. Musical-Theoretical Concept of Alexei Losev. Theory of Musical Time [1987-1988]. Article, in: Problems of Music Theory. Moscow: Moscow Conservatory, 1991
  81. Prokofjews Schaffensmethode und zeitgenossische Probleme der Komposition [Creative Method of Prokofiev and Contemporary Problems of Composition]. Article, in: Kolner Beitrage zur Musikforschung. Band 175: Bericht uber das Internationale Symposion "Sergej Prokofjew - Aspekte seines Werkes und der Biographie". Regensburg, 1992, S. 57-74 (In German)
  82. Uber Weberns Begriffssystem der Formenlehre [On the System of Pedagogic Categories in Webern's Teaching of Musical Form]. Article, in: Mitteilungen der Paul Sacher Stiftung (Basel). Januar 1992, 5, S. 27-30 (In German)
  83. Arthur Lurie and His Piano Music [1992]. Preface to the Score, in: Arthur Lurie. Piano Works. Moscow: Composer, 1993
  84. To the Notion of "Soviet Music". Article, in: Domestic Musical Culture. The Results and the Perspective. Moscow Conservatory, 1993, pp. 203-220
  85. To the Problem of Form in Old Russian Monody. Article, in: Sergievskie-Readings-1. On Russian Music. Moscow Conservatory, 1993, pp. 40-51
  86. On Forms of Apprehending of the Musical Being. Article, in: Problems of Philosophy. 1993, 4
  87. Skryabin and the Harmony of the Twentieth Century [1988]. Article, in: Scientific Notes of the State Museum of A. N. Skryabin. Issue 1. Moscow, 1993
  88. Suite in Russian Music. Abstract of the paper, in the Booklet: Europaisches Musikfest Stuttgart. 3.-19.09.93. Stuttgart, 1993, S. 65-67 (In German)
  89. Uber den Begriff "Sowjetische Musik". Vorher und heute [On the Notion of "Soviet Music". Before and Now]. Article, in: Musicologica Austriaca. Wien, 1993, 12, S. 19-32 (In German)
  90. Andrei Volkonsky the Initiator: a Profile of His Life and Work [1991]. Article, in: Music From the Former USSR. Issue 1. Moscow: Composer, 1994, pp. 5-23; Underground Music from the Former USSR. Amsterdam: Harwood Academic Publishers, 1997 (In English.), pp. 1-20; "Ex oriente-2": Nine Composers from the Former USSR. Berlin: Verlag Ernst Kuhn, 2003 (In English)
  91. Philip Gershkovich's Search for the Lost Essence of Music. Article, in: Music From the Former USSR. Issue 1. Moscow: Composer, 1994, pp. 24-40; Underground Music from the Former USSR. Amsterdam: Harwood Academic Publishers, 1997 (In English), pp. 21-35; "Ex oriente-3": Eight Composers from the Former USSR. Berlin: Verlag Ernst Kuhn, 2003 (In English)
  92. Alemdar Karamanov: an Outsider in Soviet Music. Article, in: Music from the Former USSR. Issue 1. Moscow: Composer, 1994, pp. 120-138; Underground Music from the Former USSR. Amsterdam: Harwood Academic Publishers, 1997 (In English.), pp. 110-127; "Ex oriente-2": Nine Composers from the Former USSR. Berlin: Verlag Ernst Kuhn, 2003 (In English)
  93. To the Notion of "Musical Form" [1990]. Article, in: Problems of Musical Form in the Theory Courses at the Institutions of Higher Education. Moscow, 1994, pp. 10-45
  94. Three Rondos. To the Historical Typology of Musical Forms. Article, in: Problems of Musical Form in the Theory Courses at the Institutions of Higher Education. Moscow, 1994, pp. 113-125
  95. ALF-ART. Ein Ge-Danken-Kranz [Welcome Speech for the Anniversary of Alfred Schnittke]; A - f - e - d - s - c - h - e. Feierliche Grüßhymne der tonenden Buchstaben zu drei Sätzen mit der Koda [Addendum to the Speech, a Solemn Welcome Hymn of the Sounding Letters in Three Movements with the Coda], in: Alfred Schnittke zum 60. Geburtstag. Eine Festschrift. Laaber, 1994 (In German)
  96. [Beethoven] 2 Klaviersonaten E-dur (zusammen mit der Bearbeitung für Streichquartett) und G-dur op.14, in: Beethoven. Interpretationen seiner Werke. Bde. 1-2. Bd. 1. Laaber, 1994, S. 96-110 (In German)
  97. [Beethoven] 2 Präludien fur Klavier/Orgel op. 39. In: Beethoven. Interpretationen seiner Werke. Bde. 1-2. Bd. 1. Laaber, 1994, S. 309-310 (In German)
  98. [Beethoven] 2 Klavierrondos C-dur und G-dur op. 51. In: Beethoven. Interpretationen seiner Werke. Bde. 1-2. Bd. 1. Laaber, 1994, S. 357-361 (In German)
  99. [Beethoven] Rondo G-dur fur Klavier und Violine WoO 41. In: Beethoven. Interpretationen seiner Werke. Bde. 1-2. Bd. 2. Laaber, 1994, S. 408-410 (In German)
  100. [Beethoven] Praludium f-moll f&uumal;r Klavier WoO 55. In: Beethoven. Interpretationen seiner Werke. Bde. 1-2. Bd. 2. Laaber, 1994, S. 431-432 (In German)
  101. The United Sound Space: "No. 2" by Karlheinz Stockhausen [Zur Einheit des Klangfeldes in Karlheinz Stockhausens Klavierstucken (Nr. 2)]. Article, in: Musikkultur in der Bundesrepublik Deutschland. Symposion Leningrad 1990. Kassel: Gustav Bosse Verlag, 1994, S. 167-183 (In Russian and German)
  102. Uber die Philosophie der Musik von Aleksej F. Lossew [On Philosophy of Music of Alexei Losev]. Article, in: Acta musicologica. 1994. Vol. 66, 1, S. 31-40
  103. Twelve-tones at the end of the century: Music of Edison Denisov. Article, in: Music of Edison Denisov. Moscow Conservatory, 1995, pp. 76-94
  104. Form in Shostakovich's Instrumental Works [La forma en las obras instrumentales de Shostakovich]. Article, in: Shostakovich Studies. Cambridge Univ. Press, 1995, p. 57-75 (In English); Quodlibet. Madrid, 2002, febrero, pp. 3-21 (In Spanish)
  105. What To Do Then With the Musical Forms of Tchaikovsky? Article, in: Pyotr I. Tchaikovsky. Toward the 100 Years Since His Death (1893-1993). Moscow Conservatory, 1995, pp. 54-63
  106. Bemerkungen uber die Metrik bei Chopin [Notes on Chopin's Metric]. Article, in: Chopin Studies-5. Warsaw, 1995, p. 245-261 (In English)
  107. Russians in England: Dmitry Smirnov, Elena Firsova. Article, in: Music From the Former USSR. Issue 2. Moscow: Composer, 1996, pp. 255-303; "Ex oriente...": Ten Composers from the Former USSR. Berlin: Verlag Ernst Kuhn, 2002, pp. 207-266
  108. On Rhythmic of the Antiquity. A Method of Musical-Phonetic Transcription. Article, in: Proceedings of international conferences in memory of A. V. Rudneva. Moscow Conservatory, 1999, pp. 16-22
  109. Harmony of the New World: Stravinsky, Prokofiev and Shostakovich [1995]. Article, in: Russian Music and the Twentieth Century. Moscow, 1997
  110. To The Problem of Harmonic Notation. Article, in: Ars notandi. Notation in a Changing World. Moscow Conservatory, 1997, pp. 87-96
  111. Shostakovich's Modes. Theory and Systematisation. Article, in: Dedicated to Shostakovich. Collection of Articles. Moscow: Composer, 1997, pp. 62-77
  112. On the System of Harmony of Stravinsky. Article, in: Igor F. Stravinsky. Collection of Articles. Moscow Conservatory, 1997, pp. 28-46
  113. The Scherzo Form in Schubert. Article, in: Franz Schubert. Toward the 200-th Anniversary. Moscow, 1997, pp. 34-41
  114. Hexaechos: the modal system of the old Russian Monody. In: American Musicological Society, Annual Meeting. Abstracts. Phoenix. Oct. 30 - Nov. 2, 1997, p. 87 (In English)
  115. Zur Musikgeschichte Osteuropas: Russland, Polen, baltische Lander [To the History of Music of the Eastern Europe: Russia, Poland, Baltic States]. Article, in: Europas Musikgeschichte: Grenzen und Offnungen. Stuttgart: Internationale Bach Akademie, Bd. 7. Kassel u.a., 1997, S. 166-195 (In German)
  116. "Signs from the Above" [about E. Denisov's "Signes en blanc"]. Article, in: Kurbatskaya, S., Kholopov, Yu. Pierre Boulez. Edison Denisov. Analytical Essays. Moscow, 1998, pp. 137-179
  117. To the Analysis of the First Piano Sonata by Pierre Boulez. Article, in: Kurbatskaya, S., Kholopov, Yu. Pierre Boulez. Edison Denisov. Analytical Essays. oscow, 1998, pp. 5-33;
  118. Missa. Article, in: Gregorian Chant. Moscow Conservatory, 1998, pp. 38-65
  119. Music of Webern. In: "And the Light Burns in the Darkness". On Music of Anton Webern. Moscow Conservatory, 1998
  120. The Webern Path Toward the New Music. Article, in: "And the Light Burns in the Darkness". On Music of Anton Webern. Moscow Conservatory, 1998, pp. 11-30
  121. Webern's Contribution To the Music of the Twentieth Century. Article, in: "And the Light Burns in the Darkness". On Music of Anton Webern. Moscow Conservatory, 1998, pp. 31-44
  122. Webern's Lectures on Musical Form 1934-1936. Article, in: "And the Light Burns in the Darkness". On Music of Anton Webern. Moscow Conservatory, 1998, , pp. 153-167
  123. Denisov and Musical Forms. Article, in: Space of Edison Denisov. Moscow Conservatory, 1999, pp. 35-48
  124. Music of Russia: Between the AVANT and RETRO. Article, in: Music of the Twentieth Century. Moscow Forum. Moscow Conservatory, 1999, pp. 12-32
  125. Techniques of Composition of Nikolas Roslavets and Nikolas Obukhov in Their Relationship to the Development of the 12-tone Music. Article, in: Music of the Twentieth Century. Moscow Forum. Moscow Conservatory, 1999, pp. 75-93
  126. Practical Recommendations for the Mode Definition in Ancient Music. Article, in: Ancient Music. Practice. Arrangement. Reconstruction. Moscow Conservatory, 1999, pp. 11-46
  127. "The Tale is a Lie, but the Hint Was Not Taken," or Rimsky-Korsakov as the Mirror of the Anti-Russian Revolution. Article, in: Alexander S. Pushkin. Epoch, Culture, Creativity. Tradition and Modernity. Part. II. Vladivostok, 1999, pp. 17-20
  128. Denisov's Wave. Article, in: Light. Goodness. Eternity. In Memory of Edison Denisov. Moscow Conservatory, 1999, pp. 19-21
  129. Edison Denisov and the Music of the End of the Twentieth Century. Article, in: Light. Goodness. Eternity. In Memory of Edison Denisov. Moscow Conservatory, 1999, pp. 4-10
  130. Besondereiten der Chopins Harmonik im asthetischen Kontext der Fruhromantik [Specific Features of Chopin's Harmony in the Aesthetic Context of Early Romanticism]. In: II Miedzynarodowy kongres chopinowski. Abtracts. Warszawa, 1999, s. 6-7
  131. Formy muzyczne Chopina w kontekscie estetycznych idei epoki [Musical Forms of Chopin in the Context of the Aesthetic Ideas of the Time]. In: Dzielo Chopina jako zrodlo inspiracji wykonawczych. Warszawa, 1999, pp. 310-333 (In English and Polish)
  132. Musik des 20.Jahrhunderts: ein Weg zur dritten Dimension? [Music of the Twentieth Century: the Path to the Third Dimension?]. In: The Compositional Principles. Theory and Practice. Vilnius, 1999, pp. 12-13 (In German)
  133. Spannung zwischen Ost und West. Das Phanomen Alfred Schnittke [Between the East and West: Phenomenon of Alfred Schnittke]. Article, in: MusikTexte. Zeitschrift fur Neue Musik. Koln. 1999 (Marz), H. 78, S. 8-40 (In German)
  134. 2000-th

  135. The Crisis of Music of the Twentieth Century As a Part of the Rhythm of Cycles in History. Article, in: Art and Science on Art During the Transitions in the History of Culture. Moscow, 2000, pp. 275-290
  136. Micro and the Consequences. Article, in: Musical Education in the Context of Culture. Questions of History, Theory, and Methodology. Moscow, 2000, pp. 27-38
  137. Music: Numbers and Beauty. In: Computerra: Computer Weekly. 2000, 12 December, 45-46, pp. 38-39
  138. Karlheinz Stockhausen and the New Music of the Twentieth Century. Article, in: Musiqi dunyasi (Baku). 2000, 3-4, pp. 63-67
  139. Collection of Andrei Michailovich Volkonsky (Ex-en-Province). Article, in: Russian Musical Archives Abroad. Western Musical Archives in Russia. Moscow Conservatory, 2000, pp. 57-63
  140. Structural Levels of Harmony. Article, in: Musiqi dunyasi (Baku). 2002, 1-2, pp. 104-109
  141. Nikolaj Rosslawetz. Erste Sonate fur Violine und Klavier. In: N. Roslavets. First Sonata for Violin and Piano, Program Notes. Wien, 2000, Marz (In German)
  142. East - West in Russian Culture. Article, in: Musiqi dunyasi (Baku). 2001, 1-2, pp. 61-65
  143. Theory of Music. A Chapter in the Book The History of Contemporary Domestic Music. Book. 3. 1960-1990. Moscow, 2001, pp. 551-616
  144. Sonorik bei Karlheinz Stockhausen: ein musikhistorischer Aspekt [Sonoristic in K. Stockhausen. Musical-Historic Aspect] [1997-1998]. Article, in: The Compositional Principles. Theory and Practice. Vilnius, 2001, pp. 85-97 (In German)
  145. Tonal or Atonal? - On Harmony and Form Building in Schoenberg. Article, in: Arnold Schoenberg: Yesterday, Today, Tomorrow. Moscow Conservatory, 2002, pp. 17-42
  146. Philosophie der Musik von Aleksej F. Lossev und Strukturanalyse des Musik-Phanomens [Philosophy of Music of Alexei Losev and Structural Analysis of Musical Phenomenon]. Abstract, in: 5-th European Music Analysis conference. University of Bristol, UK, 4-7 April 2002. Conference Programme and Abstracts, pp. 24-25
  147. Modalität in Streichquartetten von Dmitri Schostakowitsch [Modality in the String Quartets of Dmitri Shostakovich]. Article, in: Schostakowitsch-Studien, Bd. 5. Schostakowitschs Streichquartette - Ein internationales Symposium (= Studia Slavica Musicologica, Bd. 22). Berlin: Verlag Ernst Kuhn, 2002 (In German)
  148. Categories "Mode" and "Tonality" in Music of Palestrina. Article, in: A Russian Book on Palestrina. Moscow Conservatory, 2002
  149. Sixteenth Century - Twentieth Century: Palestrina and... Denisov. Article, in: A Russian Book on Palestrina. Moscow Conservatory, 2002
  150. Theory of Music of the Time of Palestrina: On Treatise "Institutione Harmonichi" by Joseffo Zarlino. Article, in: A Russian Book on Palestrina. Moscow Conservatory, 2002. Co-author Rimma Pospelova
  151. Cycles of Musical History. Article, in: Cycles in History, Culture and Art. Moscow, 2002
  152. New Forms of the Newest Music. Article, in: Orchestra. Collection of articles and sources in Honour of Irina A. Barsova. Moscow Conservatory, 2002
  153. The New Musical Instrument: Piano. Article, in: Michail Tarakanov: Man and the Phonosphere. Moscow, 2002
  154. Mussorgsky as the Master of Musical Form. "Pictures From the Exhibition". Article, in: Musical culture: Twentieth Century, 2002
  155. Russia and the United States. On Theory of Joseph M. Schillinger [2002]. Article, in: Two Lives of Joseph Schillinger. Moscow, 2003 [in print]
  156. Scriabin and the Harmony of the 20th Century / Introduction, Translation and Commentary by Philip Ewell // Journal of the Scriabin Society of America. Vol. 11, No. 1, Winter 2006-2007. P. 12-27.

Enciclopedic articles

286-396 (111 articles: Alteration, Leading Tone, Harmonic Function, Figured Bass, Homophony, Dahlhaus, Diatonic, Dissonance, Dodecaphony, Dominant, Ancient Greek Modes, Suspension, Sound System [Pitch system], Cadence, Consonance, Konjus, Lad [mode], Major, Major-minor, Mediant, Melody, Mersenn, Micro-chromatics, Minor, Muris, Inflection, Natural modes (lads), Non chord tones, Neapolitan Sixth chord, Notker, Obikhod Scale, Monody, Equal-name keys [Parallel], Organ point, Organum, Fundamental tone, Digression, Relative keys, Pentatonic, Intermittent functions, Intermittent mode, Cross reference, Plagal cadence, Neighbour note, Polychord, Polyharmony, Polylad, Polymodality, Polyserial technique, Polystylistic, Polytonality, Polyfunctionality, Perfect authentic cadence, Half cadence, Anticipation, Deceptive cadence, Spatial music, Passing tone, Pointilism, Resolution, Kinship of keys, Sequence, Seriality, Serial music, Serial technique, Series, Signatures, Symmetric modes, Perfect system, Soglasie (echos), Sonoristic, Mediaeval modes, Subdominant, Submediant, Subsystem, Thirteenth-chord, Tetrachord, Tinctoris, Tone, Tonality, Harmonic Tonality, Tonic, Triad, Trinote mode, Trichord, Trope, Tjulin, Augmented mode, Diminished mode, Finalis, Phonism, Musical form, Frigian cadence, Mode functions, Chromaticism, Chromatic system, Hucbald, Whole-tone scale, Chain mode, Numeric system, Quarter-tone music, Exposition, Electronic music (Co-author: Peter Meshaninov), Enharmonic, Enharmonism, Eratosphen, Schenker, Kulikov, Nazaikinsky, Protopopov, Philodem, Philolaios) // Musical Encyclopedia. In Six Volumes. Vol. 1-6. Moscow: Soviet Encyclopaedia, 1973-1982. (See also the English translation: Great Soviet Encyclopaedia. N.-Y.: MacMillan, 1973-1982)
397-403 (7 articles: Barkauskas, Borodin, Bortnyansky, Glazunov, Denisov, Khachaturian, Eshpai) // In: Kammermusik A-G (Konzertbuch). Leipzig, 1988 [A Guide to Chamber Music] (In German)
404-407 (4 articles: Webern Anton, Denisov Edison, Messiaen Olivier, Prokofiev Sergei) // Creative Portraits of Composers. Popular Guide. Moscow: Muzika, 1990
408-591 (184 articles [1982-1984]: Chord, Chord tones, Aleatorics, Alteration, Ambitus, Anhemitonic, Anonymus, Aristide Quintilian, Aristoxenus, Aristotle, Aed, Bar, Block-chords, Blues scale, Leading tone, Hungarian scale, Rimski-Korsakov scale, "Tchernomor scale", Harmoniazation, Harmony, Guidonian hand, Hexachord, Hemiolic, Hemitonic, Heptatonic, Heptachord, Glarean, Horizontal and vertical dimensions, Twelve-tones, Dyad, Diatonic, Diatonic scale, Diaphony, Disharmony, Discantus, Dodecachord, Dodecaphony, Dominant, Dominant Mode, Ancient Greek modes, Mysterious scale [Verdi], Pitch system, Scale (Tone row), Golden section, Isorhythmic, Intonation, Cadence, Cacophony, Canon, Canonic sequence, Fourth-chord, Fifth-chord, Cluster, Collage, Colour, Composition, Concrete music, Consonance and dissonance, Confinalis, Lad, Lad rhythm, Losev, Mediant, Melody, Melopeia, Melos, Metabola, Metrotechtonism, Microchromatic, Modulation, Monody, Motive, Mutation, Inflection, Natural lads, Natural scale, Non-chord tones, Nomos, Obikhod scales, Inversions of chords, Equal-name keys (Parallel), Same-third keys, Organum, Ordo, Fundamental tone, Digression, Pallelism, Paraphony, Pentachord, Intermittent key, Intermittent mode, Permutaion, Pythagoras, Pythagoreans, Plato, Density, Plutarch, Secondary dominant, Secondary subdominant, Neighbour note, Polychord, Polyharmony, Polylad, Polymodality, Polystylistic, Polytonality, Polyfunctionality, Porphyry, Derived modes, Prometheus chord, Spatial music, Alias, Ptolemy, Pointilism, Resolution, Rapsod, Round, Method of reduction, Repercussia, Repercussion, Kinship of keys, Intervallic species, Sequence [the second part], Seriality, Serial technique, Series, Symmetric modes, Synthet-chord [in Roslavets], Mixed lads, Sonority, Sonor, "Strange markings", Scale degree, Sub-chord, Subdominant, Submediant, Submotive, Subsystem, Talia, Terpander, Tetrachord, Tonality, Harmonic tonality, Melodic tonality, Tonic, Tristan-chord, Tritone lad, Trichord, Augmented lad, Diminished lad, Unison, Stable and unstable notes, Philodemus, Philolaios, Finalis, Phonism, Musical form, Basso fundamentale, Harmonic functions, Lad functions, Linear functions, Modal functions, Intermittent functions, Tonal functions, Functional inversion, Passage, Chromaticism, Chromatic scale, Chromatic system, Whole-tone lad, Whole tone, Central sonority, Central tone, Chain mode, Church modes, Quarter-tone system, Experimental music, Electronic music, Enharmonic, Enharmonism, Eratosphen) // Musical encyclopaedic Glossary. Moscow: Soviet Encyclopaedia, 1990
592-650 (59 articles [1993-1996]: Harmonic Row, Hexaechos, Hemi-Chords, Hemi-Groups, Hemitonic, Hypo-Lads, Graphic Bars, Twelve-Tones, Dissonant Rows, Dodecachord, Dodecarow, Additional Constructive Element, Inverted Forms, Interdimensionality, Fifth-Octave, Concert Form, Leit-Row, Linear Functions, Major-Minor, Metric Foot, Metric Bars, Micro-Chromatic, Minor-Major, Modality, Modal Functions, Hemitone Models, Lesser and Greater Modulations, Mono-Intervallic Chords, New Tonality, Same-Third Keys, Polychord, Polyladness, Polymodality, Spaces, Proportional Canon, Condensed Diatonic, Condensed Hemi-Groups, Symmetric Modes, Synthet-Chord, Complex Tonics, Sonor, Third-Octave, Tristan Chord, Chromatic System, Central Element of the System, Modes [Lads] of Shostakovich, Enharmonic Species) // Musical Dictionary. Russian-Belorussian. Minsk, 1999


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